Famen Temple-------Ancestor of Pagoda Temples in Guanzhong Area

Famen Temple is located in Famen town, Fufeng County, 120 kilometers west of Xi'an City, Shaanxi province. It was widely regarded as the "ancestor of pagoda temples in Guanzhong area".

One theory, supported by unearthed eaves-tiles and carved bricks of Han Dynasty, is that the temple was built during the Northern Zhou Dynasty, by Emperor Huan and also by Emperor Ling of the Eastern Han Dynasty. The literature record indicates that during Northern Wei Dynasty, Famen Temple already existed on a quite large scale. However, Buddhism was greatly suppressed in Emperor Wu's years of Northern Zhou Dynasty, and Famen Temple was almost completely destroyed. After establishment of Sui Dynasty, Buddhism was venerated, and Famen Temple was rebuilt, although it couldn't be recovered to its heyday in Northern Wei Dynasty. Its name was changed to Cheng Shi Dao Chang, and soon it merged with nearby Baochang Temple, and became a temple-owned farm.

In May 2009 the Shaanxi government finished constructing the first phase of a much larger complex in addition to the Famen Temple. With an area of 150 areas the new "Famen Temple Cultural Scenic Area" added 150 acres (0.61 km2) to the temple complex. The most obvious feature of the new complex is the 148m Namaste Dagoba and vault.

Famen Temple has many relics, such as Buddha's relics and Gold & Silver Relics.

Buddha's relics

From 5–12 May 1987, after the opening of an underground palace, four relics claimed to be directly related to Buddha were found. Two of these were made of white jade. The third relic was from a famous monk. These three are called "duplicate relics". They were placed together with a "true relic" in order to protect them. The true relic is yellow-colored, with bone-like secretory granules. It was declared by experts to be a finger bone of the Sakyamuni Buddha. Thereafter, Famen Temple became a Buddhist place of pilgrimage due to the discovery of what is claimed as a true relic of Buddha.

Gold & Silver Relics

The underground “Palace” is now a museum, and contains some other relics. One of the best preserved is a gilt silver tea set, said to be one of the earliest royal tea sets ever discovered. It includes a tea caddy woven out of metallic yarn, a gilt silver tortoise-shaped tea box, a tea roller-grinder, and a silver stove for brewing the tea. As a part of the set, a kind of container for mixing tea, called a Tiao Da Zi, was used for tea mixing and drinking, since in ancient China the tea drinking ceremony was treated to some extent just like a meal.

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The Pub Street—Defu Lane

Bright lights, pubs, cafes, charming young ladies...the old impassioned lane possesses great attractions. To seek love, to make new friends, to relax themselves…People flood in the Defu Lane when nights fall on.

As the most outstanding bar street in Xian, Defu Lane (Chinese: 德福巷) is best place to taste Xian nightlife. The tourism-oriented Defu Lane is classically elegance. The majestic three-way stone archway, the imitated old houses which could date back to Qing Dynasty (1644-1911) and the pavement made of large bluestone pieces, are the great ingredients for a beautiful scene of the street.

The Defu Lane was built in the nineties of the twenty century, which is a pseudo--classic style lane. Because enshrines plenty of cultural deposits, this lane draws many pubs and cafes to settle down their location. The Chinese style, the American style, or whatever can be found here. the pubs: Old Henry, Defu Lou, Contact, Back Corner, Corsair, Old Gun, Philander, the Same Place, Times, Old Captain, Tangren, Blue Moon, Jusco etc. the cafes: Blue Hill, Old Tree and Zhenwei(True Flavor ) and so forth. What creative and imaginative names they are! Every night, the white-collar, officials, businessmen, students, foreigners, and workers gather here to enjoy the classical music, pop music, rock music, and their beer and coffee.

Just like Shanghai's Xintiandi and Beijing's Sanlitun, Defu Lane in Xi'an has been a sign of vogue. Bars, teahouses and coffee shops in the 200-meter-length street cater the need of upper and middle classes customers, and the names of these bars & cafes indicate the westernization of local lifestyle. The bars are all more or less the same, so you can take your pick of any of them. Generally, the bars are nice enough, but they're unlikely to ever be crowded or particularly exciting. It is the center of Xi'an's nightlife, where you can relax yourself with locals and other travelers from all parts of the globe..

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Xi'an Bell Tower--------a Symbol of the City Xi'an

The Bell Tower of Xi'an (Chinese: 西安钟楼), built in 1384 during the early Ming Dynasty, is a symbol of the city of Xi'an and one of the grandest of its kind in China. The Bell Tower also contains several large bronze-cast bells from the Tang Dynasty. The tower base is square and it covers an area of 1,377 square meters.

There are several legends regarding the Bell Tower, one of them tells:

In Ming Dynasty, several earthquakes struck Guanzhong area, thousands were dead and injured. Then a legend appeared: There was a great river flowing across the center of Xi'an City. A dragon in the river was always active and caused trouble, so an earthquake occurred. An official of Xi'an government believed these words, so he ordered the blacksmiths of the whole city to make a several thousand feet of long iron chain in order to lock the dragon and sink it to river. He then ordered 5,000 craftsmen to repair the Bell Tower day and night in order to use the tower to restrain the dragon. He believed this would suppress the dragon firmly under the river and so it would no longer be active and cause trouble again. After establishing the Bell Tower, earthquakes never occurred in Xi'an again.

According to another legend:

The forefather of Ming Dynasty named Zhu Yuanzhang was born poor and his parents passed away early. He depended on tending sheep for others when he was very little. When he grew up, he left home and became a monk. When he became the emperor, he was afraid that the real emperor ("dragon son of heaven"-means king sent from heaven, a dragon is the symbol of the emperor) in the country somewhere will fight for the throne with him. He then ordered to build the bell towers to suppress the "dragon power". Xi'an was the emperor city in ancient times and it was the place of emperor's throne and the "dragon power" was very strong of course. Zhu Yuanzhang was afraid, so the Bell Tower in Xi'an was built not only quickly, but also very tall.

The tower is a brick and timber structure and close to 40 meters high. It is used to tell people the time as same function as the Drum Tower, bell-ring means morning is coming and drumbeat means the night is falling in the ancient time. Located on the very center of Xi’an old city and near the Drum Tower, it became one of the landmarks of Xi’an. Meanwhile, many art exhibitions often held here all year around.

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Hukou Waterfall-------the Largest Waterfall on the Yellow River

The Hukou Waterfall is the largest waterfall on the Yellow River, China, the second largest waterfall in China (after the Huangguoshu Waterfall). Hukou Waterfall is located at the intersection of Shanxi Province and Shaanxi Province, 165 km to the west of Fenxi City, and 50 km to the east of Yichuan.

The Hukou Waterfall exists where water in the middle reaches of the Yellow River flows through Jinxia Grand Canyon. The width of the waterfall changes with the season, usually 30 meters wide but increasing to 50 m during flood season. It has a height of over 20 m. When the Yellow River approaches the Hukou Mountain, blocked by mountains on both sides, its width is abruptly narrowed down to 20 m - 30 m. The water's velocity increases, and then plunges over a narrow opening on a cliff, forming a waterfall 15 m high and 20 m wide, as if water were pouring down from a huge teapot. Hence it gets the name Hukou (literally, Flask Mouth) Waterfall.

Just below the waterfall, there is a shining stone called guishi, the meaning is the stone of ghost. What makes the stone mysterious is that it moves up and down according to the water level. No matter how large the water volume, it is still at least partly visible.

In the middle of the river, about 3,000 m from the Hukou Waterfall, an enormous rock catches the attention of visitors. When the Yellow River flows to this point, it divides into two, rolling and roaring on and on from both sides of the rock before reconverging.

Beneath the waterfall is the Qilangwo Bridge which connects the two provinces of Shanxi and Shaanxi. In the sunshine, the mist is refracted by sunlight to create a rainbow spanning the water like a colorful bridge. In 1991, Hukou Waterfall was named one of the "40 Best" national scenic spots.

Due to its awkward location in the Loess Plateau hinterlands, Hukou was once very difficult to access. After the local government improved transport and tourist facilities, the number of tourists rose from 20,000 in 1994 to 47,000 in 1995. The figure for 1996 reached 100,000 tourists.

The scene of Hukou Waterfall can be overwhelming, water stirring up masses of smoke and cloud, colors turning from yellow to grey, grey to blue. The locals call this awesome scenery "smoke from the river". The best visiting time is from April to June, from September to November as well. Hukou Waterfall is abundant and of great momentum which makes it a spectacular sight during these two periods. Traveling here in winter may be of different interest as Hukou Waterfall becomes a huge silvery ice waterfall and little silver icicles hang on the cliffs around the waterfall.
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Big Wild Goose Pagoda

Giant Wild Goose Pagoda or Big Wild Goose Pagoda, is a Buddhist pagoda located in southern Xi'an, Shaanxi province, China. It was built in 652 during the Tang Dynasty and originally had five stories, although the structure was rebuilt in 704 during the reign of Empress Wu Zetian and its exterior brick facade was renovated during the Ming Dynasty. One of the pagoda's many functions was to hold sutras and figurines of the Buddha that were brought to China from India by the Buddhist translator and traveler Xuanzang. By standing on the top of the pagoda, you will have a great view over the city of Xi'an.

The Big Wild Goose Pagoda is closely associated with Buddhist relics. In the third year of the Reign of Yonghui (652 A.D), Master Xuan Zang built this pagoda to house the Buddhist scriptures and relics he had brought back from the west. According to The Biography of the Master of Buddhism, Master Xuan Zang brought back over 150 relics, one of which was a box with some sacred bones inside.

The original pagoda was built during the reign of Emperor Gaozong of Tang (r. 649-683), then standing at a height of 54 meters. However, this construction of rammed earth with a stone exterior facade eventually collapsed five decades later. The ruling Empress Wu Zetian had the pagoda rebuilt and added five new stories by the year 704; however, a massive earthquake in 1556 heavily damaged the pagoda and reduced it by three stories, to its current height of seven stories. The entire structure leans very perceptibly (several degrees) to the west. Its related structure, the 8th century Small Wild Goose Pagoda in Xi'an, only suffered minor damage in the 1556 earthquake (still unrepaired to this day). The Giant Wild Goose Pagoda was extensively repaired during the Ming Dynasty (1368–1644) and renovated again in 1964. The pagoda currently stands at a height of 64 meters tall and from the top it offers views over the current city of Xi'an.

During the Tang Dynasty the pagoda was located within the grounds of a monastery, within a walled ward of the larger southeastern sector of the city, then known as Chang'an. The monastic grounds around the pagoda during the Tang Dynasty had ten courtyards and a total of 1,897 bays. In those days graduate students of the Advanced Scholars examination in Chang'an inscribed their names at this monastery.

Close by the pagoda is the Temple of Great Maternal Grace; Da Ci'en. This temple was originally built in 589 and then rebuilt 647 in memory of his mother Empress Wende by Li Zhi who later became the Tang Emperor Gaozong.

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Terracotta Warriors

The "Terracotta Warriors and Horses" or the Terracotta Army is a collection of terracotta sculptures depicting the armies of Qin Shi Huang, the first Emperor of China. It is a form of funerary art buried with the emperor in 210–209 BC and whose purpose was to protect the emperor in his afterlife.

The figures, dating from approximately the late third century BC,  were discovered in 1974 by local farmers in Lintong District, Xi'an, Shanxi province. The figures vary in height according to their roles, with the tallest being the generals. The figures include warriors, chariots and horses. Current (2007) estimates are that in the three pits containing the Terracotta Army there were more than 8,000 soldiers, 130 chariots with 520 horses, and 150 cavalry horses, the majority of which are still buried in the pits nearby Qin Shi Huang's mausoleum. Other terracotta non-military figures were also found in other pits and they include officials, acrobats, strongmen, and musicians.

Upon ascending the throne at the age of 13 (in 246 BC), Qin Shi Huang, later the first Emperor of all China, had begun to work for his mausoleum. It took 11 years to finish. It is speculated that many buried treasures and sacrificial objects had accompanied the emperor in his after life. A group of peasants uncovered some pottery while digging for a well nearby the royal tomb in 1974. It caught the attention of archeologists immediately. They came to Xian in droves to study and to extend the digs. They had established beyond doubt that these artifacts were associated with the Qin Dynasty (211-206 BC).

The terracotta army figures were manufactured in workshops by government laborers and local craftsmen using materials originated on Mount Li. Heads, arms, legs, and torsos were all created separately and then assembled. Studies show that a total of eight face moulds were most likely used, with clay then added to provide individual facial features after assembly. It is believed that the warriors' legs were made in much the same way that terracotta drainage pipes were manufactured at the time. This would classify the process as assembly line production, with specific parts manufactured and assembled after being fired, as opposed to crafting one solid piece and subsequently firing it. In those times of tight imperial control, each workshop was required to inscribe its name on items produced to ensure quality control. This has aided modern historians in verifying which workshops were commandeered to make tiles and other mundane items for the terracotta army. Upon completion, the terracotta figures were placed in the pits in precise military formation according to rank and duty.

The terracotta figures are life-sized. They vary in height, uniform, and hairstyle in accordance with rank. Most of them originally held real weapons such as spears, swords, or crossbows. Originally, the figures were also painted with bright pigments, variously coloured pink, red, green, blue, black, brown, white, and lilac. The colored lacquer finish, individual facial features, and weapons used in producing these figures created a realistic appearance. Most of the original weapons were thought to have been looted shortly after the creation of the army, or have rotted away, while the colour coating has flaked off or greatly faded.

The State Council authorized to build a museum on site in 1975. When completed, people from far and near came to visit. Xian and the Museum of Qin Terra Cotta Warriors and Horses have become landmarks on all travelers' itinerary.

The museum covers an area of 16,300 square meters, divided into three sections: No. 1 Pit, No. 2 Pit, and No. 3 Pit respectively. They were tagged in the order of their discoveries. No. 1 Pit is the largest, first opened to the public on China's National Day, 1979. There are columns of soldiers at the front, followed by war chariots at the back.

No. 2 Pit, found in 1976, is 20 meters northeast of No. 1 Pit. It contained over a thousand warriors and 90 chariots of wood. It was unveiled to the public in 1994.Archeologists came upon No. 3 Pit also in 1976, 25 meters northwest of No. 1 Pit. It looked like to be the command center of the armed forces. It went on display in 1989, with 68 warriors, a war chariot and four horses.

Altogether over 7,000 pottery soldiers, horses, chariots, and even weapons have been unearthed from these pits. Most of them have been restored to their former grandeur.

A collection of 120 objects from the mausoleum and 20 terracotta warriors were displayed at the British Museum in London as its special exhibition "The First Emperor: China's Terracotta Army" from 13 September 2007 to April 2008. The Terra Cotta Warriors and Horses is a sensational archeological find of all times. It has put Xian on the map for tourists. It was listed by UNESCO in 1987 as one of the world cultural heritages.

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